Showing posts with label behind the scenes. Show all posts
Showing posts with label behind the scenes. Show all posts

Monday, November 23, 2009

In the year 2000!


art by Leinil Yu.

In 1998, Grant Morrison, Mark Millar, Mark Waid and Tom Peyer pitched a revamp of Superman. Their proposal (entitled "Superman 2000") was turned down by DC editorial who swore those writers will never be allowed to work on the character.

Years later, those ideas are worked into All Star Superman, Superman: Birthright, 52 and...Spider-man?! Read an analysis of the Superman 2000 pitch here.

Tuesday, August 11, 2009

Barbarella/ Manara


Milo Manara designs from an abandoned Barbarella remake
via Brandon Graham

Tuesday, July 21, 2009

New Doctor: Wet behind the ears?


Matt Smith's Dr. Who look has been revealed- bow tie, blazer, tight rolled pants and doc martens. I'm sure the look will become a fan favorite after an episode or two premieres. Steven Moffat won't do the Doctor wrong.

More pics, plus images with River Song(!) and his new companion Amy Pond , here. Lots more photos here.

"The Waters of Mars," the penultimate episode of the David Tennant-era Doctor Who, airs this fall.



Wait a minute...Waters of Mars... Amy Pond....River Song... I wonder what's up with the aquatic theme....

Monday, July 6, 2009

Process posts

The process post is a staple for any artist with a blog. Here are some recent ones that caught my eye:

Paul Duffield walks us through his coloring process for Freak Angels as he prepares to hand those chores off to Kate Brown.


Sean Phillips gives a sneak peak at upcoming issues of Incognito from thumbnail to finish.




Paolo Rivera has plenty of informative posts- color studies, sketches and studies, step by step, tips and technique, tools of the trade, and, of course, wacky reference.

Thursday, May 7, 2009

Andrew Robinson's return



After a hiatus from comics, Andrew Robinson is back! He made a splash in the late 90s as the cover artist for Starman and Hawkman (funny story- it took me a while to figure out that the "Robinson" signature on Starman comics didn't belong to the writer James Robinson). He's now providing covers for a whole slew of DC books.

Check out his interview with CBR.

His Next Exit blog is here.

Tuesday, March 10, 2009

Thursday, November 20, 2008

Pantone Power!

The Aquaman Shrine shares the pantone guides for DC stock art.

via

Monday, November 3, 2008

JRJR's thumbnails

Check out a gallery of John Romita Jr.'s thumbnail cover sketches here. They are shown alongside the final covers.

JRJR bio here.

via

Thursday, October 30, 2008

Drawing With Water


See how Emmanuel Guibert created the art for his graphic novel ALAN'S WAR from First Second Books.

via

Tuesday, October 28, 2008

Glen Fabry


Check out Glen Fabry's reference for some classic Preacher covers here. You can see other steps from his process in his tutorial section.

Monday, October 27, 2008

Tuesday, June 10, 2008

Storytelling Engines

What is a storytelling engine? John Seavy explains:
Specifically, it relates to some comments I made some time ago about the construction and maintenance of “status quos”....

The idea is that when creating an open-ended series, you include a variety of different elements that act to help the writer in generating ideas for stories; each of these elements can be seen as a component in a “storytelling engine”....

So what elements make up a storytelling engine? The basic concept of the series, for starters; Doctor Who, to use a series we won’t be looking at later on, has as its concept “a mysterious stranger has a time and space machine.” Then from there, you layer on the main character, with his motivations and backstory (”an endlessly curious not-quite-human trickster, on the run from his own people who see helping people as a crime”), the supporting cast (”a young woman with more curiousity and guts than common sense”), the setting (”the inside of the time machine”, “modern-day London”, “a variety of alien planets”, “various Earth historical locales”), the antagonists (”a variety of evil aliens who seek to enslave or destroy people”), and the tone (”light-hearted adventure, with occasional forays into horror.”) Each of these, ideally, does something to help the writer come up with a story or move it along, and each of them could be changed in ways that help or hinder the writer. (For example, if the Doctor was “a heavy reader with no interests beyond enlarging his vast library”, the series would probably have to work much harder to get him involved in events.)

Each series has these elements, and each series evolves over time as different writers take a hand at the character....
Check out Seavy's analysis of the storytelling engines that make up classic comic characters here.

Wednesday, May 28, 2008

Cassanova/ Paper Planes



Fabio Moon and Gabriel Ba ink Casanova to the sounds of MIA. Is anyone else surprised that they pencil their names in before signing their work?

Tuesday, May 20, 2008

Original Spidey Logo Revealed!

Ditko's intended "Spiderman" logo (no hyphen) was hidden beneath a paste-up. Read more about the difference between the artwork and the printed page at Blake Bell's website, Ditko Looked Up.

via

Monday, April 21, 2008

Sunday @ New York Comic Con

Peter Laird

Laird, Jim Lawson and Steve Lavigne signed the only copy of Planet Racers seen at the con

Joe Sinnott, Dick Ayers and Irwin Hasen

Costumes: Jessica Drew Spider-Woman, Ben Reilly Spider-Man, anime character (Battle for the Planets?) and the obligatory Storm Trooper

Keith Giffen

signed by Giffen and Kevin Maguire

Jack Kirby's Fourth World Series II (Superman's head even looks like it was redrawn by Curt Swan!)

Grant Morrison gets swarmed at the DC booth

The Incredible Hulk

Peter David and Jason Aaron (no last names allowed at this table)

signed by David

All Star Batman and All Star Superman Toys

JLU toyline continues to expand

signed by Louise Simonson

behind the scenes at The Stack

Through the looking glass: Mike Mignola and Mike Richardson

signed by Bryan Hitch

signed by Steve McNiven and Dexter Vines

Surprisingly, the most surreal sight of the day wasn't at the New York Comic Con...




(special thanks to Sara for the passes!)

Friday, April 11, 2008

What might have been...

A Studio Ghibli produced "Little Nemo" test from 1984-

(via)

and Bob Clampett's "John Carter of Mars" from the 30s-

(via)